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self-sustaining cycles of interconnected processes, each one catalyzing the next.
This positive feedback loop could be likened to the love that persists after a
person is passed on. Relating this phenomenon to jazz improvisation suggests a way of
understanding emergent behaviors and non-linear dynamics, as well as ancestral
continuity and kinship.
HyperCycleJazz, 2024
Video (6.37 min)
Concept, Edit, Music: Katrin Hahner
Videography: Antje Taiga Jandrig, Patrik Ontkovic
Voice Recording “Trauerschiff”: José Luis Anderson
Drums: Earl Harvin
Typography: Owen Hindley
Swirl, 2019-2024
Handcarved and pigmented clay, ca120cm diameter
Seelenhaus, 2024
Mixed media 150x150x270cm